The evolution of female characters in the historical prose of A. Kaschenko

Keywords: historical prose, female characters, Ukrainian Cossacks, male and female spaces

Abstract

The article traces the development of female characters in the historical prose of the Ukrainian writer A. Kaschenko (1858–1921). The studied – the historical stories “Zaporizhska Slava” (1906), “Slavni Pobratymy” (1913), the historical novels “Pid Korsunem” (1913), “Borci za Pravdu” (1913), “U Zapali Boroty” (1914), “From the Dniepr to the Danube” (1914), “The Destroyed Nest” (1914) – reflect the situation of Ukrainian women during military aggressions by the Ottoman Empire, the Polish-Lithuanian Commonwealth, and the Russian Empire.

The history of the creation of the analyzed works, the genre features of these historical stories and novels, and the plot and compositional elements of the works were analyzed in order to determine the place of female characters in specific historical circumstances and their role in the development of events. The fundamental stylistic devices used by the writer in creating these characters (portraits, dialogues, monologues, etc.) are recorded.

A comparative analysis of the central female characters in the studied works is proposed, which makes it possible to draw conclusions about the use of a single model for their creation, inspired by the romantic prose of the second half of the 19th century, as well as the influence of traditional constructions of female images in the collective memory of the Ukrainian people – the mother-guardian, captive girl, woman-fighter, etc. The ideological significance of some female characters is also emphasized, as they became not only the bearers of the author’s historiophilosophical position, but also the embodiment of the hopes of the Ukrainian society in the 1910s and 1920s.

An attempt is made to examine the peculiarities of the emergence and development of the male space, which is identified in A. Kaschenko’s historical prose with the Ukrainian Cossacks, and the coexistence of this space with the female space, which is a typical subject of contemporary literary studies.

Downloads

Download data is not yet available.

Author Biography

Ganna Pletnyova, V. N. Karazin Kharkiv National University

Postgraduate student at the Department of History of Foreign Literature and Classical Philology

References

Bashkirova, O. (2020). Artistic representation of femininity in contemporary Ukrainian fiction. In Word and Time. 2020. №. 6 (714). (pp. 72–86). Retrieved from https:// doi.org/10.33608/0236-1477.2020.06.72-86 [in Ukrainian].

Belyaev, V. (1991). Ukraine is always before our eyes (Historical prose by Adrian Kaschenko). In: Kaschenko А. The Destroyed Nest. Historical novels and short stories. Kyiv. Dnipro. (pp. 599–644). [in Ukrainian].

Ivanchukova, Ye. (2013). A. Kaschenko’s story “The Destroyed Nest”: an innovative discourse of adventure dominance. In Philological seminars. Kyiv. Issue 16. (pp. 320–330.)

Kashchenko, A. (1919). Zaporizhzhia Glory. Short Stories. New York, Sich Bazaar. [in Ukrainian].

Kashchenko, A. (1991). The Destroyed Nest. Historical Novels and Short Stories. Kyiv. Dnipro. [in Ukrainian].

Kashchenko, A. (1907). On the Ruins of Sich. Katerynoslav. Prosveshchenie. [in Ukrainian].

Kashchenko, A. (1917). Muslim Slavery in Ukrainian Folk Poetry. Katerynoslav: Printed by I. Vismann and I. Mordkhilevich. [in Ukrainian].

Kashchenko, M. (1991). Hard Worker (Memories of My Brother). In: Kashchenko A. Stories about the Glorious Zaporizhzhia Army. Dnipropetrovsk. Sich. (pp. 7–14.) [in Ukrainian].

Kyrylchuk, O. (2015). Women in Ukrainian Historical Fiction of the 1880s–1890s. In Pomiędzy. Polish and Ukrainian Studies. (pp. 195–205.) Retrieved from URL: https://czasopisma.marszalek.com.pl/en/10-15804/pomi/1683-pomi201513 [in Ukrainian].

Korytska, H. (2006). The works of A. Kaschenko: issues and poetics. (Extended abstract of a candidate’s thesis). Dnipropetrovsk. [in Ukrainian].

Kulakevych, L. (2019). Artistic features of the story about the Ukrainian frontier: A. Kaschenko’s “The Destroyed Nest.” In Scientific Works. Philology. Literary Studies. (pp. 61–65.) [in Ukrainian].

Nabytoch, I. (2022). Memory, historical prose, and the formation of national identity. In Word and Time. №. 4 (724). (pp. 45–57). Retrieved from URL: https://doi.org/10.33608/0236-1477.2022.04.45-57 [in Ukrainian].

(2009). Symbol of Unity and Freedom of the Ukrainian People. Adrian Feofanovich Kashchenko (1858–1921). On the 150th Anniversary of His Birth: Bibliographic Publication. Dnipropetrovsk, DOUNB. [in Ukrainian].

Yunosh V. (Yefremov, P.) (1918). Romantic fiction writer. On the occasion of the 60th anniversary of the birth and 35 years of literary work of Adrian Kashchenko. In Bookstore. №. 16. (pp. 942–948.) Retrieved from URL: https://libraria.ua/issues/1214/98176/ [in Ukrainian].

Shudria, M. (1991). Singer of the Cossack Order. In Kashchenko, A. Stories about the glorious Zaporizhzhia Cossack Army. Dnipropetrovsk. (pp. 482–490.)

Shulga, O. (2022). Types of female characters in V. Chemerys’ novel “The Fortress on the Borysthenes.” In Transcarpathian Philological Studies. Uzhhorod. Publishing House “Helvetica.” Vol. 2. Issue 23. (pp. 242–249.) Retrieved from URL: http://zfs-journal.uzhnu.uz.ua/archive/23/part_2/47.pdf [in Ukrainian].

Published
2025-12-30
How to Cite
Pletnyova, G. (2025). The evolution of female characters in the historical prose of A. Kaschenko. The Journal of V. N. Karazin Kharkiv National University. Series “Philology”, (97), 139-146. https://doi.org/10.26565/2227-1864-2025-97-21