The popular culture of the cold war: the spy genre and its evolution in the soviet cinema
Abstract
The article is devoted to analyses of the cultural consciousness during the Cold War, which was reflected in the genre of spy cinema. It was argued that the spy movie (along with the film noir and nuclear fantasies) was one of the most representative genre of the Cold War, because it reflected the basic cultural notions of that epoch. It was concluded that the popular culture during the Cold War was focused on the genre of the spy detectives because it contains the most representative images of the confrontation between the Soviet and the Western societies
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References
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Ray R. The Dissolution of the Homogeneous Audience and Hollywood’s Response: Cult Films, Problem Pictures, and Inflation In: Ray R. A Certain Tendency if the Hollywood Cinema, 1930-1980. – Princeton, New Jersey: Princeton University Press, 1985. – 412 p.
Whitfield S. The Culture of the Cold War - JHU Press, 1996. – 288 p.
Hoberman J. An Army of Phantoms: American Movies and the Making of the Cold War - New Press, 2012 – 408 p.
Shaw T.Hollywood's Cold War - University of Massachusetts Press, 2007. – 352 p.
Холодная война. 1945-1963 гг. Историческая ретроспектива: Сборник статей. - М.: ОЛМА-ПРЕСС, 2003. – 640 c.
Тетерин П. В. Отечественная историография о роли США в развязывании “Холодной войны”. Автореф. дис-ции на соиск. уч. степ. канд-та ист. наук. – М., 2011. – 239 c.
Youngblood D. and Shaw T. Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds. - University Press of Kansas, 2014. – 312 p.
Федоров А. В. Трансформации образа России на западном экране: от эпохи идеологической конфронтации (1946-1991) до современного этапа (1992-2010). - М.: МОО "Информация для всех". - 2010. – 303 c.
Eco U. The Narrative Structure of Ian Fleming. In: Waites, B., Bennett, T. and Martin, G. eds. Popular Culture: Past and Present. - Kent: The Open University, 1981. - p. 242-262
Hepburn A. Intrigue. Espionage and Culture. - New Haven and
London: Yale University Press, 2005. – 328 p.
Weiner A. Making Sense of War. The Second World War and the Fate of the Bolshevik Revolution - Princeton University Press, Princeton and Oxford. - 2001. – 384 p.
Hayward S. Cinema Studies - Routledge: London and New York, 2000. – 528 p.
Covey W. Girl Power: Female-Centered Neo-Noir In: Film Noir. Reader 2. Ed. by A. Silver and J. Ursini. - New York: Limelight Editions, 1999. – 311 – 328 p.
Reinhard Otto. The Fate of Soviet Soldiers in German Captivity In: The Holocaust in the Soviet Union. Collection of papers. - Washington DC: United States Holocaust Memorial Museum. Center for Advanced Holocaust Studies. 2005. - p. 127-138.
Streit Ch. Keine Kameraden. Die Wehrmacht und die Sowjetishen Kriegsgefangenen. 1941-1945. - Neuausg - Bonn, Dietz, 1997. – 448 s.
Andrew Ch., Mitrochin A. The Sword and the Shield: The Mitrokhin Archive and the Secret History of the KGB. - New York: Basic Books, 1999. – 735 p.
Trahair R. Miller R. Encyclopedia of Cold War Espionage, Spies and Secret Operations . - Greenwood Publishing Group, 2012. – 700 p.
Архипова А. С. "Штирлиц шел по коридору…": Как мы придумываем анекдоты - М. : РГГУ, 2013. – 156 c.
Север А. Исаев: Информация к размышлению - М: Яуза, Эксмо 2009. – 320 c.
Липовецкий М. Искусство алиби: "Семнадцать мгновений весны" в свете нашего опыта // Неприкосновенный запас. - 2007. - № 53. – Internet access:
magazines.russ.ru/nz/2007/3/li16.html
Sloterdijk P. Theory of Double Agents In: Sloterdijk P. Critique of Cynical Reason, translation by Michael Eldred - Minneapolis, University of Minnesota Press, 1987. - p. 113-115.
Crowdy T. The Enemy Within. A History of Espionage - Oxford and New York, 2006 – 368 p.
Published
2016-05-12
Cited
How to Cite
Sukovataya, V. (2016). The popular culture of the cold war: the spy genre and its evolution in the soviet cinema. The Journal of V. N. Karazin Kharkiv National University. Series "Theory of Culture and Philosophy of Science", 31-17. Retrieved from https://periodicals.karazin.ua/thcphs/article/view/5772
Issue
Section
ФІЛОСОФІЯ ДОБИ ГЛОБАЛІЗМУ, ПОСТМОДЕРНУ Й ІНФОРМАТИЗАЦІЇ
