TRANSFIGURATION OF THE REPRESENTATION OF ART

SEARCH FOR NEW FORMATS IN THE WORLD OF ISOLATION

Keywords: art, pandemic, isolation, virtual space

Abstract

The article is devoted to the current situation in the art world, due to the COVID-19 pandemic and its consequences. Humanity has found itself in a new world of limitation and isolation. Art cannot be displayed in classic exhibition format.

Recently, it seemed that the philosophy of art space is an exhibition format. art exhibitions, galleries, museums of classical and modern art, provided a global connection between various representatives of humanity. This was the unifying language of society. Art found itself in a pandemic situation. Art, as a means of communication, responds to an environment that is changing. The space in which art will be represented must also change. This problem requires philosophical reflection and analysis of issues: How can art be represented? The article discusses how the interaction of the viewer and the art-object. It is analyzed whether physical space is important for the interaction of the viewer and the object of art. The article concludes that art is not a place, but a moment. The moment creates discourse. Art in a situation of isolation and pandemic remains the language of communication. contemporary art has a social context. It is a tool for understanding the sociocultural reality of a pandemic and isolation.

Our analysis of the situation shows that in the present situation, the spectator no longer a passive observer. It is directly interpreter path art, embodies and represents the art. It does not create a copy; it provides original new content. The article concludes that contemporary art is simultaneously connected and not connected with the place. Art is treated as the embodiment of discourse. Art is a new language that has a social context. Art is a tool of cognition of sociocultural reality. We understand art as a complex text.

Downloads

Download data is not yet available.

Author Biographies

Юлія Сергіївна Тагліна, V.N.Karazin Kharkiv National University

PhD in Philosophy, Associate Professor of the

Department of Theory of Culture and Philosophy

of Science V. N. Karazin National University

Олександра Сергіївна Кутенко, V.N.Karazin Kharkiv National University

Search engine of the Department of

Theory of Culture and Philosophy of

Science V. N. Karazin National University,

Master of Culturology

References

Бонито О. Искусство на исходе второго тысячелетия / пер. с итал. Г. Курьерова; К. Чекалов. Москва: Художественный журнал, 2003. 217 с.

Данто А. Мир искусства / пер. с англ. А. Шестаков. Москва: Ад Маргинем Пресс, 2017. 64 с.

Данто А. Что такое искусство? / пер. с англ. К. Курова. Москва: Ад Маргинем Пресс, 2018. 168 с.

Між мистецтвом та карантином. URL: www.instagram.com/tussenkunstenquarantaine

Скринник-Миська Д. М. Ключові ідеї американської теорії мистецтва 60-70-х рр. як теоретико-філософське підґрунтя сучасного мистецтва. Вісник Закарпатського художнього інституту. 2015. Вип. 7. С. 87-91.

Danto A. Encounters and Reflections. Art in the Historical Present. Berkeley: Univ. of California Press, 1997. 356 p.

Dickson A. Bye bye, blockbusters: can the art world adapt to Covid-19? URL: https://www.theguardian.com/artanddesign/2020/apr/20/art-world-coronavirus-pandemic-online-artists-galleries

Saltz J. The Last Days of the Art World URL: https://www.vulture.com/2020/04/how-the-coronavirus-will-transform-the-art-world.html.

Shehadi S. How Coronavirus is Making Virtual Galleries Go Viral. URL: https://www.newstatesman.com/culture/art-design/2020/03/virtual-galleries-art-museums-tours-online

The Art World Deals with Coronavirus (news) URL: https://www.widewalls.ch/magazine/the-art-world-coronavirus.

Published
2020-08-06
Cited
How to Cite
Тагліна, Ю. С., & Кутенко, О. С. (2020). TRANSFIGURATION OF THE REPRESENTATION OF ART: SEARCH FOR NEW FORMATS IN THE WORLD OF ISOLATION. The Journal of V. N. Karazin Kharkiv National University. Series "Theory of Culture and Philosophy of Science", (61), 45-52. https://doi.org/10.26565/2306-6687-2020-61-05