Intermedial Aspects of Ukrainian Literature in the Age of the Sixties: Aesthetics Against Ideology

  • Григорій Олегович Савчук Харківський національний університет імені В. Н. Каразіна
Keywords: intermedialism, lyrics, freedom, aesthetics, ideology, sixties

Abstract

The article contains an analysis of the intermedial component of creativity L. Kostenko, V. Symonenko, I. Svetlychny. The example of the poems "Van Gogh", "Ukrainian melody", "Pagan Spring" shows the function of pictorial, musical and cinematic elements in the construction of lyrical works, which are embodied in the context of Ukrainian literature of the sixties. It is shown that in the poem "Van Gogh" the question of freedom of creativity is disclosed in the widest context, a freedom that borders on insanity. In the poem "Ukrainian melody" the Ukrainian instruments – military drums and bandura – were opposed, it was possible to conclude that the poet chooses in favor of the drums that call on the battle. Symbolically, the drums are a poetic word that becomes a weapon. In the poetry "Pagan Spring", intermediate elements are associated with the theme of the renewal, the freedom that the spring has. It is proved that these intermedial complexes increase the weight of the aesthetic criterion. It is concluded that intermedial aesthetics can withstand the Soviet ideology.

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Author Biography

Григорій Олегович Савчук, Харківський національний університет імені В. Н. Каразіна

кандидат філологічних наук, доцент кафедри історії української літератури

References

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Світличний І. Серце для куль і для рим / Іван Світличний. – К. : Рад. письменник, 1990. – 580, [4] с.

Симоненко В. Вибрані твори / Василь Симоненко. – К. : Смолоскип, 2010. – 852 с.

Published
2018-11-30
How to Cite
Савчук, Г. О. (2018). Intermedial Aspects of Ukrainian Literature in the Age of the Sixties: Aesthetics Against Ideology. The Journal of V. N. Karazin Kharkiv National University. Series “Philology”, (78). Retrieved from https://periodicals.karazin.ua/philology/article/view/11109
Section
Artistic Search of the ХХth Century Authors: Between the Canon and the Freedom o